An electrical cable is made of two or more wires running side by side and bonded, twisted, or braided together to form a single assembly, the ends of which can be connected to two devices, enabling the transfer of electrical signals from one device to the other. Cables are used for a wide range of purposes, and each must be tailored for that purpose. Cables are used extensively in electronic devices for power and signal circuits. Long-distance communication takes place over undersea cables. Power cables are used for bulk transmission of alternating and direct current power, especially using high-voltage cable. Electrical cables are extensively used in building wiring for lighting, power and control circuits permanently installed in buildings. Since all the circuit conductors required can be installed in a cable at one time, installation labor is saved compared to certain other wiring methods.
The term originally referred to a nautical line of specific length where multiple ropes, each laid clockwise, are then laid together anti-clockwise and shackled to produce a strong thick line, resistant to water absorption, that was used to anchor large ships. In mechanics, cables, otherwise known as wire ropes, are used for lifting, hauling, and towing or conveying force through tension. In electrical engineering cables are used to carry electric currents. An optical cable contains one or more optical fibers in a protective jacket that supports the fibers.
Cable were a British indie rock band originally from Derby, UK who released 3 albums in the late '90s: Down-Lift the Up-Trodden ('96), When Animals Attack ('97), and Sub-Lingual ('99), on Infectious Records. The band split up in 1999.
Formed in 1992 by Matt Bagguley and Darius Hinks, Cable were initially inspired by the art-rock leanings of indie-labels such as Touch and Go, Dischord, Blast First, Southern Records and Shimmy Disc, and also UK artists such as Spacemen 3 & My Bloody Valentine. The first settled line-up was Matt Bagguley (vocals/guitar), Darius Hinks (guitar), Pete Darrington (bass), Neil Cooper (drums) and throughout 1993 the band played regularly with underground acts from the U.S (such as Medicine, Polvo, Truman's Water, Rocket From The Crypt..) In early '94 their debut single "Sale of the Century" was released on 7", by Derby-based indie-label Krunch! Records. Radio 1 DJ John Peel played it immediately on his show saying it was the best thing he'd heard that week and phoned the band during the show to invite them to record a session. John Peel remained a loyal fan from that moment on, and altogether the band recorded 4 Peel Sessions.
Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, most commonly in association with X-Force and the X-Men. Nathan Summers is the adult son of the X-Man Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), and the half brother of Rachel Summers, from a possible future timeline, having being transported as an infant to the future, where he grew into a warrior, before returning to the present. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986), created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990).
The character's first appearance was in The New Mutants #86 (Feb. 1990). He does not appear anywhere in the issue's story, but the "next issue" teaser includes a small drawing of the character. This was followed by a full appearance in The New Mutants #87 (March 1990). Though the artist Rob Liefeld is responsible for his visual design, name, and much of his personality, it is claimed that Cable also got some inspiration from editor Bob Harras. Liefeld explains the creation of the character:
Address or The Address may refer to:
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, an HTML element, see HTML element#address
An address is a collection of information, presented in a mostly fixed format, used for describing the location of a building, apartment, or other structure or a plot of land, generally using political boundaries and street names as references, along with other identifiers such as house or apartment numbers. Some addresses also contain special codes to aid routing of mail and packages, such as a post code.
Addresses have several functions:
Until the advent of modern postal systems, most houses and buildings were not numbered. Streets may have been named for landmarks, such as a city gate or market, or for the professions of their inhabitants. In many cities in Asia, most minor streets were never named. This is still the case today in much of Japan. When postal systems were introduced, it became necessary to number buildings to aid in mail delivery.
In sociolinguistics, a T–V distinction (from the Latin pronouns tu and vos) is a contrast, within one language, between various forms of addressing one's conversation partner or partners that are specialized for varying levels of politeness, social distance, courtesy, familiarity, age or insult toward the addressee. Languages such as modern English that, outside of certain dialects, have no morphosyntactic T–V distinction may have semantic analogues to convey the mentioned attitudes towards the addressee, such as whether to address someone by given or surname, or whether to use "sir" or "ma'am". Under a broader classification, T and V forms are examples of honorifics.
The terms T and V, based on the Latin pronouns tu and vos, were first used in a paper by the social psychologist Roger Brown and the Shakespearian scholar Albert Gilman. This was a historical and contemporary survey of the uses of pronouns of address, seen as semantic markers of social relationships between individuals. The study considered mainly French, Italian, Spanish and German. The paper was highly influential and with few exceptions, the terms T and V have been used in subsequent studies.